Monday, 3 October 2016

Chikatsu-Asuka Historical Museum


  • Address: 299, Higashiyama Kanan-cho, Minami-Kawachi-gun, OSAKA, Japan
  • Latitude: 34.496
  • Longitude: 135.631
This important site in Japanese history, located in the southern part of Osaka Prefecture, contains more than 200 ancient burial mounds (kofun) including four imperial tombs. The museum is dedicated to exhibiting and researching prehistoric kofun culture.
Chikatsu-Asuka Historical Museum, Osaka - Japan, Tadao Ando
Exterior
The building, located within a natural environment of plum trees, ponds, and walking paths amongst the surrounding hills expands beyond its concrete volume. It integrates itself within the landscape in the form of a stepped concrete roof with a protruding concrete volume and concrete walls that continue into and frame the landscape. From the top of the stepped roof plaza visitors can observe the entire burial mound landscape. This stepped roof also doubles as an exterior auditorium for performances and lectures.
Chikatsu-Asuka Historical Museum, Osaka - Japan, Tadao Ando
Interior
On the interior the display areas are intentionally dark, exhibiting objects as they were found in the tombs, giving the visitor a feeling of being transported back to ancient times.
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Rokko Housing I. II. III


  • Address: Shinohara, Kitamichi 3-chome, Nada-ku, Rokko,KOBE, Japan
  • Latitude: 34.7256
  • Longitude: 135.228
While remaining within the tradition of modern composition, the emphasis of self-taught Japanese architect Tadao Ando on the natural and geographical context, and the weight of its historical and cultural heritage, are the stilts on which they based their entire work. The harmony between nature and architecture is a current of traditional Japanese culture. This is how nature is one of the main concerns of Ando, who is always trying to integrate with the interior of their buildings, through courtyards and gardens that include light, ventilation and rain. These works in particular, this issue has particular relevance.
The first set was born Rokko Housing sleep Ando, making this step building along the slope of the mountain, where every house had contact with nature, differentiating between a skyscraper or any other building in height. Built the first and second set, the architect began with the third project without any client. After an earthquake, all factories in the area collapsed and were just standing homes. It was there that captured the third set.
Rokko Housing, Kobe, Japan, Tadao Ando
Situation
 
The sets of houses I, II and III are located in neighboring plots to each other, on Mount Rokko, on the slopes of the city of Kobe. The houses are built on the hill, following the slope.
The first set is at the foot of the mountain, built on a hillside facing South where you can enjoy a great panoramic view of the port of Kobe and Osaka Bay.
Rokko II complex is located on a site above and to the left of the first set, being four times higher.
For the third is three times larger than the second. Rokko III is built over the previous two.
Rokko Housing, Kobe, Japan, Tadao Ando
Concept
Rokko housing I and II were proposed with a slope of 60 degrees south and located at the edge of the Rokko mountains in Kobe. The project idea was not only overcome the constraints of the site, but the benefits of this deployment and its unique views. In the case of Rokko III, the configuration has not stepped up in a flat area.
These joint ownership of the land is a key factor. The design allows phased provide each household with a particular sector of a time getting to the harmony between the building and its surroundings. Here, all units have their area of green land and no matter what level they are commingled with nature, creating a new type of housing that arouse feelings of ownership among its residents.
The houses were built with strong relationships between public and private spaces, through the concept of public traffic and terraces, where the residents. In turn, each household seeks to reaffirm its own individuality, different spaces, terraces, views, and relationships between them. Through aterrazado, Ando achieves a grand opening in each home without sacrificing your privacy.
With the intention of creating and strengthening the relationship between nature, public and private spaces, using a network system to control the overall structure. It is a rigid framework in which all the houses, terraces and large spaces are included.
In Rokko III introduces another element: prefabrication, not as a means of reducing costs but in relation to social thought.
Rokko Housing, Kobe, Japan, Tadao Ando
Spaces
I Rokko is based on a grid of twenty modules in plant and increase of 5.80 x 4.80 meters from the sites that are organized. In the promotion slope intentionally created a series of holes to unify the complex, while acting as a square. Areas to serve the ends of the building as areas of ventilation and insulation. Twenty modules are grouped in front of the slope are all different types and sizes. They all have a terrace with different views.
In all three sets, life is covered through the manipulation of units and combinations of interventions in outdoor spaces. In every housing spaces are proposed different rooms near the sky, green slope facing rooms and receive the light of the courtyard, all with exceptional views.
There are also communal areas where the inhabitants are related to the complex, including terraces and circulations.
The framework mentioned above, each set includes the time it contains the exterior spaces. Rokko II is structured around a central staircase and contains 50 homes designed on a uniform grid of 5.20 meters behind. Is slightly turned to his neighbor, as a whole.
The second set of spaces are wider and more luxurious than in the first case. This set has an indoor pool.
Rokko III is L-shaped built on three levels. It has 174 apartments, with garden terrace on the roof of each home. In this case, the design has not staged the previous sets.
Materials
Once again, Ando used concrete in his book, whose color is not acting against the area, but intensifies its depth. Geometric shapes which, intentionally artificial marked by contrast, its natural environment. This is evident in the concrete that holds all the spaces.
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The Suntory Museum

  • Address: 1-5-10 Kaigandori, Minato-ku, OSAKA, Japan
  • Latitude: 34.6538
  • Longitude: 135.43
Suntory Museum in Osaka is one of Tadao Ando’s most successful expressions of his favourite theme: the relationship between man, water and architecture.
The cultural complex commissioned by Suntory, a Japanese liquor manufacturer, incorporates a gallery of art and design, a 3D IMAX cinema, a series of shops and a restaurant.
The Suntory Museum, Osaka - Japan, Tadao Ando
Each of the elements in the composition is handled separately and has its own relationship with Osaka Bay and with its natural surroundings.
Location
The land on which the building rises is located inside Tempozan Harbor Village, a recreational park in the heart of Osaka Bay adjacent to the Kaiyukan Aquarium.
The lot was initially separated from the sea by a strip of land owned by the Town of Osaka, and Ando had to fight hard to extend the museum’s land, partly because the Construction Ministry requires high protective piers along the waterfront.
The Suntory Museum, Osaka - Japan, Tadao Ando
It wasn’t easy for the architect to persuade the authorities of the feasibility of his idea of creating a plaza with steps leading down to the sea that would be a meeting place, a place for concerts and events, making familiarity with the water a part of everyday life.
Plaza
In the end the museum was built with a plaza leading down to the sea, 100 metres wide and 40 metres deep, featuring a series of pedestrian paths, ramps, and stairways and a semicircular amphitheatre for open-air events.
Five monumental pillars rise at the water’s edge, repeated on a breakwater constructed 70 metres out to sea to reinforce the sense of continuity between the plaza and the ocean.
The Suntory Museum, Osaka - Japan, Tadao Ando
The Suntory Museum building
The Suntory Museum building rises on the northern edge of the plaza and consists of an overturned truncated cone volume intersected by solid bodies rectangular in shape.
Each volume has its own function: the truncated cone houses the spherical body of the IMAX theatre, while the two parallelepipeds intersecting it contain the museum and the restaurant.
The two projecting parallelepipeds are oriented along visual axes and terminate in large panels of glass framing a variety of views over Osaka Bay: the restaurant faces toward Kobe, while the art gallery, arranged perpendicularly to the pier, looks out to the horizon, offering splendid views of the sunset over the ocean.
The Suntory Museum, Osaka - Japan, Tadao Ando
The building’s distribution centre is a first-floor hall accessed directly via an escalator. The hall is designed as a raised public space offering a spectacular view out over the bay. The shops, restaurant and cinema face onto it, and the cinema’s entrance hall is directly connected with a panoramic terrace. BR>The museum itself, located on an upper level, is arranged in two parts: a flexible space for temporary exhibitions and a portion with well-defined spaces housing the museum’s permanent collection.
The Suntory Museum is built out of a variety of materials: the large truncated cone is composed of a reticular spatial structure covered with stainless steel and glass in the central part facing the sea, while the rest of the building is built of pre-stressed reinforced concrete.
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